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Issue 31

(Fall 2017)

contents

abstracts

contributors

contents

  

Editorial

 

 

Articles

 

Ioannis Fulias

Rena Kyriakou’s Concerto for Piano and Orchestra, opus 18: its history, a first analytical approach, a critical re-evaluation and an attempt to place the work among the Greek art music creation

 

Nestor Taylor

The structural and functional organization of the choir in the vocal works of J. S. Bach

 

Angeliki Skandali

Singing classes at the conservatoires established by M. Kalomiris and the cultivation of opera during the early 20th century (1919-1939)

 

 

Musical practice

 

Taksim: continuity and transformation. Historical retrospections, commentaries and reflections on the makam “performance-generated” composition

by Thimios Atzakas

 

 

Book reviews

 

Katerina Levidou, Katy Romanou, George Vlastos (ed.), Musical Receptions of Greek Antiquity: From the Romantic Era to Modernism (Cambridge: Cambridge Scholars Publishing, 2016)

by Kostas Kardamis

 

Giorgos Sakallieros, Dimitri Mitropoulos and his Works in the 1920s – The Introduction of Musical Modernism in Greece (Athens: Hellenic Music Centre, 2016)

by Demetre Yannou

 

 
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