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Issue 35

(Fall 2020)

contents

abstracts

contributors

biographical notes

  

Yannis Belonis


Ph.D. in Musicology (Department of Music Studies at the National and Kapodistrian University of Athens). He is an arranger / orchestrator and Manager of the Historical Archive and Music Library at the Greek National Opera. Since 2002, he has been the chief editor of the musicological journal Polyphonia. He specializes in Greek music (particularly, in composers of the Greek National School of Music).

He graduated from the Department of Music Studies at the National and Kapodistrian University of Athens and he received a scholarship from the National Scholarships Institution to pursue his Ph.D. thesis titled The Chamber Music of Manolis Kalomiris. During the period 2004-2013, he was a Research Associate in the Department of Popular Music at the Technological University of Epirus (Arta). In collaboration with Philippos Nakas publishing house, he worked as an editor of the orchestral works of the composer Yannis A. Papaioannou (2005-2011) and from 2008 to 2010 he worked as a music critic in the newspaper Real News.

His book Chamber Music in Greece in the first half of the 20th century. The case of Marios Varvoglis (1885-1967) was awarded by the Union of Greek Critics for Drama and Music. He has actively participated in numerous international musicological conferences in Greece and Europe. His articles and papers have been published in Greek and foreign scientific journals, collected editions, newspapers and program notes.

He is a close collaborator of Mikis Theodorakis for over a decade. Additionally, working together with Mikis Theodorakis, he orchestrated a number of the composer’s song cycles, theatrical performances and CDs for symphonic orchestra and other music ensembles. As an orchestrator and pianist, he has participated in various musical and theatrical performances in Greece and abroad (New York, Chicago, Tampa, Tokyo, Johannesburg, Cannes, Zurich, Brussels, Vienna, Istanbul, Tel Aviv, Munich, Moscow, Lausanne etc.), cooperating with numerous composers, singers, symphonic orchestras, music ensembles and choirs.

  

  

Katerina Maniou


Born in Athens, Katerina Maniou holds a PhD from the Department of Music Studies at the National and Kapodistrian University of Athens, where she successfully defended her dissertation titled Aspects of Modernism and Postmodernism in Alfred Schnittke’s work, funded by the State Scholarship Foundation (IKY). She received her Diploma in lyric song with “Grade Honours and First Prize” (under Jenny Drivala) and holds all the degrees in Piano and Music Theory (Harmony, Counterpoint, Fugue). She works as an opera singer / performer in Greece and abroad. She has collaborated with “Medea Electronique” (Digital Opera Echo and Narcissus / role: Echo), “Song of the Goat Theatre Company” (Pieśń Kozła, Wrocław / Poland), Jenny Drivala (soprano), Natasha Avra (choreographer) and Anna Tzakou (director). She has performed works of contemporary Greek composers (New Chios Contemporary Music Festival), she consistently co-operates with musicians and performers from Greece and abroad in the fields of contemporary music, free improvisation, etc. She is collaborating with the Greek National Opera since 2018. She has published articles in the Polyphonia and Polytonon journals. She has given a number of lectures in the Department of Music Studies at the National and Kapodistrian University of Athens, the Music Library of Greece “Lilian Voudouri” and the Third Programme of Hellenic Broadcasting Corporation (ERT).

  

  

Marianna Sideri


Marianna Sideri holds a PhD in Historical Musicology from the National and Kapodistrian University of Athens. She graduated from the Department of Music Studies at the National and Kapodistrian University of Athens in 2000 and completed a postgraduate course at the University of Leeds in England in 2001 receiving the title of M.Mus in Historical Musicology. Her doctoral dissertation is entitled The artist as theatrical character in the Italian comic opera of the 18th and 19th century (2008). As an academic fellow, she has taught courses of musical theatre and music history in the Department of Music Studies at the National and Kapodistrian University of Athens (2008-2009, 2009-2010 and 2016-2017), in the Department of Theatre Studies at the University of Patras (2011-2012) and in the Department of Music Science and Art at the University of Macedonia (2017-2018). She has also collaborated with the University of the Aegean as a lecturer in distance learning programs (2019-2020). She was contributing author with original scientific articles to the program notes for the Greek National Opera performances and has collaborated with the Music Library of Greece “Lilian Voudouri” within the framework of its educational programs. She works in Music Schools where she teaches European Music Theory. She is a regular member of the Hellenic Musicological Society.

  

  

Angeliki Skandali


Descended from Crete, Angeliki Skandali was born in Athens. She studied the piano, lyric song, vocals, harmony and band orchestration at the Hellenic Conservatory of Athens, counterpoint and fugue at the Music College of Thessaloniki, and composition at the Aristotle University of Thessaloniki. She has attended orchestra conducting classes at the Hellenic Conservatory of Athens and the Athens Conservatoire.

She graduated with first-class honours from the Department of Music Studies at the Aristotle University of Thessaloniki. She continued with postgraduate studies in Musicology – Opera Analysis at the University of Leeds in United Kingdom with Emeritus Professor Julian G. Rushton. She authors books on opera history and articles on opera cultivation. She was a Research Fellow in the Department of Music Studies at the Aristotle University of Thessaloniki (2008-2017). She is a PhD candidate in the Department of Music Studies at the National and Kapodistrian University of Athens.

She is a member of the Royal Musical Association and the Hellenic Historic Society. Since 2015 she is a member of the Hellenic Musicological Society.

  

  

Nestor Taylor


Nestor Taylor (b. 1963) was born to a Greek family, in Melbourne, Australia. He studied piano, harmony and counterpoint at the Athens Conservatoire with George Diamantis and the distinguished composer Menelaos Pallantios. He continued his studies at the Guildhall School of Music and Drama under Francis Shaw and Robert Saxton, where he was awarded the following diplomas: ALCM in Conducting, LGSM in Composition, LGSM and GSMD in Choral Composition and Orchestration. He completed his M.Mus and M.Phil degrees in Composition at Royal Holloway under the supervision of John Woolridge and Peter Wiegold. In 2005, Taylor was awarded a Fulbright Scholarship, which enabled him to carry out research as a composer at Yale University.

Taylor’s music has been extensively performed throughout Greece (Megaron Concert Halls in Athens and Thessaloniki, Greek National Opera, etc.), and abroad (Purcell Room, Conway Hall in London as part of the Composers’ Ensemble, Kioi Hall in Tokyo with the NHKSO, the Great Philharmonic Hall in Odessa with the National Philharmonic, etc.).

He has held the posts of lecturer in Harmony and Composition in the Department of Music Studies at the Aristotle University of Thessaloniki, lecturer in Music History at the State School of Dance and the Greek National Opera Ballet School and Artistic Director at the Central Conservatory of Music in Athens and the Municipal Conservatory of Filothei-Psychiko. He also served as Head of International Relations, Casting Director and Artistic Advisor to the Director at the Greek National Opera between 2009 and 2016, whereas nowadays he pursues a professional career as a freelance composer.

  

  

Maria Theofili


Maria Theofili was born in Athens in 1983. She is currently a PhD candidate under the supervision of Professor Markos Tsetsos in the Department of Music Studies at the National and Kapodistrian University of Athens, working on music modernism in Greek society. She holds a Master’s Degree from the Department of Music at Royal Holloway, University of London (2014), and a first-class honours Integrated Master’s Degree from the Department of Music Studies at the National and Kapodistrian University of Athens (2013). She also graduated from the English Department at the National and Kapodistrian University of Athens and the Musical Horizons Conservatory with a diploma in flute (2009). From 2016 to 2017 she worked as a musicologist at the Music Library of Greece “Lilian Voudouri” and from 2014 to 2018 she was a permanent collaborator of Polytonon, the Greek Composers’ Union journal. She currently works as a music teacher at the Musical Horizons Conservatory.

 

 
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