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Issue 33-34

(Spring 2019)

contents

abstracts

contributors

contents

   

Editorial

 

 

Articles

 

Anastasia Siopsi

Stage action in Richard Wagner’s work in relation to his late theories

 

Iakovos Steinhauer

The concept of mimesis in T. W. Adorno

 

Alexandros Baltzis

Critical theory in the new conditions of cultural production

 

Irmgard Lerch-Kalavrytinos

Humour, irony and satire in medieval music

 

George Fitsioris

14th century: Ars Nova, the birth of a new art

 

Katy Romanou

Guillaume Du Fay’s “Byzantine motets”

 

Ioannis Fulias

Anton Reicha and the first systematisation of music forms in the 19th century

 

Nikolaos Maliaras

Theophrastos Sakellaridis, Perouzé. The revival of an opera

 

Theodore Karathodoros

Exploring the structural qualities of Legetos in Dimitri Terzakis’ Legetos for two violins

 

  

Conference contributions

 

Genuinely Greek, inherently orientalist or a longing cosmopolitan? Exploring Emilios Riadis’ identities through the song cycle for voice and piano Neuf petites mélodies roumies

by Sofia Kontossi

 

Some privileged ratio by itself, some privileged perception, and some a combination of the two. The depiction of music intervals as a timeless search in the theory of Greek music

by Antonis I. Konstantinidis

  

 

 
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